AI69 Production · Video Treatment

The Best Things for Me

Two girls, one perfect day — from a mountain road and vineyards to a Parisian café and the canals of Venice.

Prepared for Mia Boyka × Liza Boyka
The Concept

Not About Luxury. About the Right to Enjoy

Two girls. One perfect day. We follow Mia and Liza through a few hours of their lives — from a sunlit road through mountains and vineyards to a Parisian café and the canals of Venice.

They’re not in a hurry. They’re not solving problems. They’re not trying to prove anything to anyone.

They’re simply taking everything they love from life: a beautiful car, sunshine, music, food, wine, travel, attention, each other.

“All the best things for me” isn’t about luxury. It’s about the right to enjoy your own life.

The clip opens straight into motion and closes on the same feeling it grew from — not specific cities, but the sensation of being good inside your own life. When you don’t need permission.

Freedom → Beauty → Pleasure. Three chapters, one phrase: best things for me.

01–03

The Story

Mia and Liza in a convertible through mountains and vineyards
01

The Open Road

The clip opens straight into motion. A small, elegant European convertible drives down a sunlit road. One of the girls is behind the wheel, the other beside her. A light white silk scarf catches the wind.

Outside the windows — mountains, vineyards, green hills, small roads and European villages. The music builds gradually. The girls laugh, glance at each other, sing along to single words and dance right in their seats.

Important: they’re not performing the song for the camera. They’re simply living inside it.

Mia and Liza at a street café with the Eiffel Tower behind them
02

Paris

A cut carries us to Paris — an instantly different rhythm. A Provence-style street café, cream-coloured façades, tables on the sidewalk, the Eiffel Tower in the background.

In front of the girls: croissants, oysters, wine, coffee, hot chocolate and flowers. They sit, talk and laugh.

They just sit at the table, drink coffee and chat — an easy pause inside the day, unstaged, never looking at the camera.

Mia alone on a boat by the Rialto Bridge in Venice
03

Venice

The final chapter becomes the most playful. Mia boards a small, elegant boat — not a huge yacht, but the kind of stylish Italian launch that looks expensive yet effortless.

The boat passes under the Rialto Bridge. People above turn to look, smile, wave and blow a kiss. Mia answers, laughing.

This is the chapter about pleasure.

Best things for me.

Frames We’ll Chase

Key visual moments

The Convertible

Both girls in the convertible, wind, scarf, mountains and vineyards — the key frame of the road chapter.

The Vineyard Stop

Dancing by the car, laughter, photographs against green hills and an old European village.

The Café Table

Croissants, oysters and wine on a Provence café table, the Eiffel Tower sharp behind them.

The Seine Walk

Mia and Liza walk, talk and laugh along the Seine, in no hurry at all.

Under Rialto

The boat passes under the Rialto Bridge: Venice reads in one instant.

The Kiss Blown Back

A kiss blown back to someone on the bridge — attention turned into pure pleasure.

Where The Film Travels

The emotional arc

Freedom → Beauty → Pleasure → Travel → Friendship → Attention → Life

After Paris and Venice we return to them on the water, or at sunset. Wind. Sun. Water. Music. They look at each other.

This whole clip was never about specific cities. It was about a state — being good inside your own life, needing no one’s permission.

“All the best — for me.”